If you’re having a lazy Sunday I would highly recommend you go check out the two songs Derek has posted. I have to admit that before I clicked on the first one, my expectations were low. Not as any sort of statement on the musicianship of other web music I’ve heard before, but just that I am not a big fan of a genre sometimes described as urban acoustic pop, or guitar/vocal folk music. But something about Derek’s music really struck me, especially the lyrics on the first one. Enjoy.

I had a very artistic night, which I can only describe as spiritually refilling. It started at the first of two senior recitals of the night. It was by Joe Santa Maria and it was really great. The selection of tunes was very diverse (Beatrice was beautiful) and his tone sounded great. Directly following was Kyle Wilson’s recital which was just as excellent. He did a lot of technically challenging songs (Last Rites of Rock ’n Roll, Snake Charmer, What Goes Around) but played them with soul. Both will be online as soon as I get them and maybe it’ll motivate me to finally do something with SeniorRecital.com, which I haven’t touched in about a year now. (While it’s visually lacking, there’s some pretty neat stuff going on behind the scenes. All the song lists and extra files are generated dynamically from the filesystem, reading the metadata from the ID3 tags.)

The reception immediately followed, but I had promised Elissa-who-is-not-linked that I would check her art performance at the Contemporary Arts Museum. So I rushed over there and got there just in time to catch hers. It would be extremely difficult to describe, but it involved a wooden chair, a black dress, panty hose, and Elissa cutting her hair. We talked about it earlier and Elissa didn’t know how long it was going to be, she was just would cut it however long felt right. For a few excruciating seconds she paused before making the first cut, and I really thought she wasn’t going to do it, and I don’t think I could have. (And I don’t even have that much hair!) I didn’t have any idea what performance art was going in, but now I think I have a better sense of it. There were no words, but something about the situation and the way in which the action was carried out really spoke to me and affected me emotionally, just like a good piece of art. It’s something that has to be experienced, because it loses everything in the description.

The joint reception for the recitals was at Molina’s, a great Mexican restaurant. The food hit the spot and I got to socialize with a number of folks I hadn’t seen in a while, some as long as two years. Kyle, along with Chase Jordan and Marcos Varella whose recitals I attended earlier this week and were great, are going to be attending the New School, all on generous scholarships. Joe is going to join Rene at Berklee College of Music. So many great players are coming out of HSPVA, I think it’ll just be a few years before the jazz record scene starts to take notice.

After the reception I just couldn’t go home, perhaps because of the paper due tomorrow, so I headed over to the Rivendell to hear the Stan Killian Trio with Clayton Dyess and Maggie Grebowicz. Met some nice people and heard some swinging music, plus there was no cover, so it was a very enjoyable performance and I stayed to the very end. Definitely going to check them out again.

Once I got home I did what anyone would do after such an inspiring night: practice!

The best part about that gig was seeing the mayor of Houston, a decidedly unhip looking guy, singing along with the Temptations. (From his table, thankfully.) It was a very fun performance, but really too loud for the room and it seemed a tad long, though the audience seemed to love every minute of it.

Afterward I headed to Cezanne’s to check out the last set of David’s gig with pianist Andy Langham, Anthony Sapp on bass, and Joe Ferrira on drums. Andy and David are both amazing, and when they play together it’s something that affects you deeply. Hung around for a bit after the gig was over and chatted, met some new friends and some old acquaintances.

Finally the night wouldn’t be complete without some 24-hour Mexican food, so that’s how everything ended. Now I’m looking at the clock and I just realized that I have a rehearsal at 10 tomorrow morning. I better go catch some sleep while I can.

(There have been some good comments lately, check it out.)

Just got in from is one of the longest and latest rehearsals I’ve ever been in. Look at the timestamp. I would like to take this brief oppurtunity before I collapse from exhaustion to advise you of some upcoming performances.

Tomorrow (Friday) at 8 I’m going to be playing at the Intercontinental Hotel for the National Conference of Black Mayors. I was up at the hotel tonight and, man, those guys know how to party; the gig should be a lot of fun. The music is Mo-Town, complete with singing and dancing and me in the back tooting my sax. It’s impossible not to nod your head and tap your foot. Technically it’s a private gig but if you wanted to crash the party I’m don’t know if anyone would notice since there are just so many people there. Plus I’ll be wearing a tux.

This coming Monday and Wednesday are more casual gigs with the downbeat at 7:30 PM on the Kemah Boardwalk. The music is big band to the bones, and should be interesting. In between sets I’ll be doing a smaller combo that will do some straight-ahead jazz. If you’re in the area come check it out. Now if only I had time for the two papers and a test I have on Monday.

I know I’m too tired when I visit a page with terrible graphics and cheesy MIDI music playing in the background and think, “this is sort of nice.” To be completely honest, whatever the music is it’s mesmerizing, and quite relaxing. Maybe PhotoMatt could use some good relaxing background music… (Or maybe just video game music.)

There was once a post here, it’ll come back later.

Today’s gig was painful in a way only a very special combination of lost music and missing people can make it. If it was a bad group I wouldn’t be so disappointed, but the group usually sounds a lot better than we did today. On the upside, there was free food afterward that was quite good, and I was asked to participate in a much nicer group starting next year when they have an opening in the sax section, and I’m very excited about that. That in addition to being in the UH jazz band should fill the musical void that’s been in my life this year. Time to shed!

I’m going to be playing a big band gig on the Kemah Boardwalk tomorrow, Sunday, at 2 PM. Okay the gig is actually at University of Houston Downtown, and it’s going to be with the amazing pianist who won the Great American Piano Competition last year, Deanna Witkowski. There is more information here. I’m going to be playing lead alto and I have a couple of solos and we might do one of my features this week. I’m performing a lot less this year, but next year my schedule will be as such to allow me to participate in more groups with hopefully more performances like this.

Jay-Z’s new CD is in record stores today. I’m going to check it out and post my thoughts here.

Yesterday I finally got my first check from the Musicians Performance Trust Fund, even though I should have been getting checks from them for almost three years now. The MPTF is a union thing that sends out the checks for “green sheet” gigs where the money comes through the union. I play with a group called Young Sounds which is a union band and I’ve been signing the green sheet for years. What I think precpitated this first check is that before, for whatever reason, I had never given them my social security number, because I’m hestitant to give that out very often, and I think that’s why they had never sent a check before. Of course the money has to be somewhere, I should probably check to see if any of it is still there. Chris said I should frame this, and I think I will. Here’s a picture for its full glory:

Well the gig was rained out today, but if you want to hear some more really good music check out “Lager Rhythms” at Anderson Fair tonight at nine. More details here at Mike’s site. Please excuse any typos, I’m on a QWERTY keyboard. (yuck!)

For those of you who may be interesting, I’m playing a big band gig today at 2:00 PM at Saint Christopher Episcopal Church at 1656 Blalock. I think it’s some sort of festival or something, so it should be fun. We’re doing an interesting alto feature called “Harlem Nocturne” which yours truly will be playing. Sorry for the short notice though! I hope everyone has a wonderful Saturday.

Hey Ma by Cam’ron featuring Juelz Santana is the song of the day:

Now I was downtown clubbin’, ladies night
Seen shorty she was crazy right
And I approached baby like
“Ma, what’s your age and type?”
She looked at me and said “You’s a baby right”
I told her,
I’m 18 and live a crazy life
Plus I’ll tell you what the ’80s like
And i know what the ladies like
Need a man that’s polite,
listens, and takes advice
I can be all three . . .

Buy the CD, PressPlay it, listen to the radio for five minutes (they’re playing it all the time), or whatever.

Yep, I went back out. I had talked to David previously about checking his gig out, it was late so I knew they wouldn’t charge cover, and (on David’s request) I had told Kenny Garrett about the gig at Cezanne’s and he said he might check it out. He didn’t, but I can’t really blame him though because he was staying on the other side of town and was probably dog-tired from the gig. David was burning though, and there were a couple of musicians who went there right after the Roy Haynes concert who said that the music was just as good, which is a pretty amazing compliment considering how good the Wortham concert was. I just realized I have to reinstall Photoshop to fix up all the photos before I upload them, so I better get to that. First though I think I’m going to install Service Pack I again, so wish me luck . . .

After a hard day, I really wanted to kick back and relax. Usually I do this by either taking pictures or listening to music, it was a hard day so I decided to do both. I got an email from Kel earlier saying his band, Grenade, had a gig tonight at my new favorite jazz venue, the Iris Jazz Resort off of Richmond. I caught the last couple of songs from their next to last set and I it was quite good; I think both of the people in the audience enjoyed it.

Seriously, there were probably between around fifteen or twenty people there, but the crowd was nowhere near what the music deserved. Since I left I’ve rationalized the reasons there were so few people there: it’s a Wednesday, not that well-known place (yet), last set, school night, et cetera. It just made me a little disheartened with jazz’s state of popularity. Oh well, maybe there’ll be more people at the Kemah Jazz Festival this weekend. If you go there and see a guy running around with a digital camera, say hi to me.

I saw an absolutely amazing concert by Roy Hargrove, jazz legend, at the new jazz club, IRIS. The venue was really nice and it was pleasing to see a new place just for jazz listening, even if their musical lineup tends to lean a little towards the smooth. Roy Hargrove and his band just blew the roof off. His large jam group was comprised up two drum sets, an organist, keyboard player (Robert Glasper, HSPVA grad), guitar, bass, vocalist (who was excellent), and two sax players (on alto and tenor was Keith Anderson). The grooves were hard and the music was incredibly energetic. One thing I really enjoyed was how the band built solos, starting it chill and then taking it to a very high level, with the crowd in hysterics. It was very well put together show, and you could tell the musicians had their act together.

I got to talk to Robert for a while and he is a very interesting cat. We talked a bit about piano players, and he suggested I check out more Lenny Tristano, Ahmad Jamal, and Keith Jarrett. He told me a bit about some of the musicians he has played with in New York, which included pretty much every big name I’ve heard of, including Wynton Marsalis, Christian McBride, Kenny Garrett . . . We talked about his sense of time, which I’ve heard stories about from David a bit. In his trio instead of feeling a beat or measure, he can feel a section, be it eight bars or thirty-two. It allows the music to move in different directions, but still land right. This is really unique and I’d like to hear more of his playing so I could get a better sense of it. He has a new album on its way so I’ll definitely want to check that out. He also gave an interesting perspective on the “Jazz died with Trane” argument: he said that because people Trane did so much and were at such a high level, musicians put them on a pedestal and say to themselves that they’ll never be that good. This mental block actually prevents musicians from advancing because they already have this limit of how far things can go, a pre-conceived idea of that the highest level is. Of course things can always be taken higher, but it takes someone with a lot of guts and talent to do it. I think that Branford doing A Love Supreme (arguably best Coltrane recording ever) on his latest album is a good example of people with a respect and understanding of the past, but still trying to take things to a different level. Jazz shouldn’t move horizontally, it should be moving forward. Look at how much changed from 1940-1960 in jazz, now look back two decades and think of what has really blown you away. Let me know what you think. I know I’ll be thinking about it a lot.

Update: The pictures from tonight are now online.

Tonight myself and about 30 other local jazz musicians presented Kelly Dean with his belated 40th birthday present, an iPod. He’s really wanted one of these for the longest time and the look on his face when he got it was amazing. Things were put together relatively hastily, starting when he left for a 5 day cruise on Saturday with an idea. Got in touch with Dana Rogers and she was a huge help in contacting so many people, in fact the majority of the musicians who donated she called. Kel had a gig tonight with Erin Wright at The River Café on Montrose, which turned into a birthday celebration, culminating with the presentation of the iPod, which had been hidden inside a Vaio box :). Pictures will go up tomorrow morning. I’d like to thank the following people, a veritable who’s who list of Houston jazz:

Continue reading Surprise! →

So far I’ve only seen this in print form, and when they put it online last year it was in the form of a inaccessible, unsearchable image, so as my public service for the day I’ve written out the schedule for the upcoming Kemah Boardwalk Jazz Festival, and added links to the artists where I could find them. I’d like to expand this with personnel of each group, so if you know who’s in what band let me know in a comment or email.

5th Annual Kemah Boardwalk Jazz Festival
September 26–29, 2002

Sponsor: Kemah Boardwalk

Cosponsors: University of Houston-Downtown, Houston Professional Musicians
Association, Local 65-699, H&H Music Company

Founder and Festival Director: Robert Wilson, UH Downtown Arts and
Humanities Falculty. Member and Director, UHD Civic Music Program

Thursday, 9-26

Friday, 9-27

Saturday, 9-28

Sunday, 9-29

Continue reading Kemah Boardwalk Jazz Festival 2002 Schedule →