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Getty

Getty

Museums, Historical Sites, and Zoos

Los Angeles, CA 59,223 followers

About us

One of the largest supporters of arts in the world, the J. Paul Getty Trust is an international cultural and philanthropic institution that focuses on the visual arts in all their dimensions. Getty serves both the general public and a wide range of professional communities in Los Angeles and throughout the world. Through the work of the four Getty programs—the Museum, Research Institute, Conservation Institute, and Foundation—the Getty aims to further knowledge and nurture critical seeing through the growth and presentation of its collections and by advancing the understanding and preservation of the world's artistic heritage. The Getty pursues this mission with the conviction that cultural awareness, creativity, and aesthetic enjoyment are essential to a vital and civil society.

Website
http://www.getty.edu
Industry
Museums, Historical Sites, and Zoos
Company size
1,001-5,000 employees
Headquarters
Los Angeles, CA
Type
Nonprofit
Specialties
Museum, Non-profit, Philanthropy, Library, Research, and Conservation

Locations

Employees at Getty

Updates

  • View organization page for Getty

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    Climate action is accelerating in the arts, and Getty is proud to be a part of the effort. Last week we released our PST ART Climate Impact Program Report, offering a deep look into project-based emissions and waste tracking across institutions that participated in PST ART: Art & Science Collide. This week, our colleagues Gallery Climate Coalition (GCC) published the first-ever Stocktake Report, which presents the most comprehensive data to date on the visual arts sector’s progress toward decarbonization, focusing on general operations. Getty’s dataset is the largest for exhibition-making emissions, while GCC’s covers the largest sample of general operations. Together, these reports provide a broad view of collective climate action in the art world. Read GCC's Stocktake Report: https://lnkd.in/eudZUdZV ICYMI! Read our PST ART Climate Impact Program Report: https://lnkd.in/gbhnmmjC

  • View organization page for Getty

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    Explore the arts of the Mongol era (13th–14th centuries) alongside the Courtauld Institute of Art, which recently wrapped up a traveling seminar supported by Getty's Connective Art Histories initiative. Led by Professor Sussan Babaie, the seminar brought together scholars, conservators, archaeologists, and cultural heritage professionals from Mongolia, and East, West, and Central Asia with leading subject specialists from the U.S. and Europe to study the interconnected histories of objects, artists, and technologies across the Eurasian expanse of the Great Mongol State. Learn more about Mongol Connections: https://lnkd.in/g9XD8iwq 1. Mongol Connections visit Shankh Monastery 2. Flaming Cliffs in Bayanzag 3. Horse-riding in Tuul Riverside Lodge with Mongol Connections 4. Stone arrangements observed on journey from Karakorum to Gobi 5. Ongii Monastery 6. Understanding plants in the Gobi 7. Mongol Connections listening to participant’s presentation Karakorum’s kilims 8. Erdene Zurr Monastery 9. Mongol Connections’ participant feeling the sacredness of water in the steppe 10. Mongol Connections participants obsessing over tombs late night in Tuul Riverside Lodge 11. Mongol Connections participants Image credit: Mongol Connections

    • A group of people posing on the steps of a historic building with ornate wooden architecture and a red-tiled roof. The structure features decorative carvings and symbols.
    • A wooden walkway leading across a rugged desert landscape with striking red rock formations under a bright blue sky.
    • A group of riders on horseback moving across a grassy hillside toward a distant ridge. The sky is partly cloudy with patches of blue.
    • A grassy plain scattered with stones in circular formations, with rolling hills in the background under a partly cloudy sky.
    • Rocky hills with remnants of old stone structures and ruins scattered across the slope.
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  • View organization page for Getty

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    We’re delighted to announce that the newly remodeled Getty Provenance Index has won Digital Innovation of the Year in this year’s Apollo Awards. The Getty Provenance Index was launched in the 1980s and has become an indispensable resource for curators and researchers. After a 10 year remodel, a newly renovated Getty Provenance Index launched earlier this year utilizing metadata and Linked Open Data to enhance the connections and details researchers can access through the database. “All this information can tell bigger stories about how artworks have moved over time. Our goal is to activate this data in new ways and at scale, allowing for patterns to emerge across the dataset – while making sure people can still find the data they need,” says Sandra van Ginhoven, head of the Getty Provenance Index. Apollo – The International Art Magazine celebrates excellence in the arts world. Read more: https://lnkd.in/gGisA2Es

    • A flyer for Apollo Awards 2025. The image is split down the middle vertically with the image on the right being of an open art stock book with a scalloped edge on the left side. The stock book has handwritten lines with blue grid and red vertical lines. On the left is a very light, almost white blue color background. In the top left corner in navy blue text reads, “Apollo Awards 2025.” Underneath reads, “Digital Innovation of the Year, Getty Provenance Index.” Digital Innovation of the Year is in bold text. In the bottom left corner says “Supported By Well of Art” with a logo to the left of “Well of Art” text.
    • A color vertical photo of 3 individuals at the 2025 Apollo Awards. Getty staff Lily Pregill and Sandra vin Ginhoven are on the left and a representative from Apollo Awards is on the right. Everyone is looking at the camera smiling and wearing all black. They are standing on a wooden floor with a textured concrete wall behind them with minimal yellow lighting.
  • View organization page for Getty

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    Congratulations to our Getty staff on their award-winning work! 👏 Today we honor the teams behind the Digital Florentine Codex and Recording Artists: Experiments in Art and Technology Podcast for being Bronze winners in this year’s The Anthem Awards in the area of Education, Art and Culture. The annual Anthem Community Voice Awards celebrate purpose and mission-drive work worldwide. Learn more about these projects: 📖 Digital Florentine Codex: https://lnkd.in/gupPHEGs 🎙️ Recording Artists: Experiments in Art and Technology: https://lnkd.in/gqk3w3ki

    • A beige colored template with a screenshot of the Digital Florentine Codex in the middle with an image of two fish. The template reads, “2025 Bronze Anthem Award Winner” in black text and there are colorful clip art figures in the bottom right.
    • A beige colored template with an orange, white, and black Recording Artists image. The template reads, “2025 Bronze Anthem Award Winner” in black text and there are colorful clip art figures in the bottom right.
  • View organization page for Getty

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    Did you know art museums have the highest average energy consumption of all cultural institutions in the US? For the first time ever, we worked with PST ART partners to track and measure the impact of their projects to present the largest dataset compiled on the environmental footprint of art exhibitions. From testing new displays to donating materials to community groups, learn more about the choices partners made to pave the way for a more sustainable future in the arts and inform the next edition of PST ART in 2030. Read the full report: https://lnkd.in/gbhnmmjC

    • Colorful geometric sphere composed of triangular panels in iridescent shades, surrounded by dark reflective surfaces. Text overlay reads: “Building a more sustainable future for art museums. Read full story gty.art/climate-report.”
    • Art installation in a blue-lit gallery featuring neon light strips on the floor and a glass case on a wooden stand containing crab-like objects. Text overlay reads: “New report features largest ever data-set on climate impact of art exhibitions.”
    • Indoor gallery scene with a large wooden oval structure supported by beams with a ladder in front and a person on top of the structure. Text overlay reads: “Art museums have the highest average energy consumption of all cultural institutions in the U.S.”
    • Person kneeling on sand wearing headphones and holding a black hose-like instrument. Text overlay reads: “To change your carbon footprint, first you have to measure it.”
    • Blue background with white text that reads: “PST ART Climate Impact Program. The community-driven project tracks the carbon footprint of 40 projects at arts organizations across Southern California. A newly released report has baseline measurements about carbon emissions, material waste, and more from exhibitions connected to 2024’s PST ART.”
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  • View organization page for Getty

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    Joseph Valencia’s 2015 Getty Marrow Undergraduate internship shaped his path to becoming Curator of Exhibitions at the Vincent Price Art Museum. Today, he champions Latin American and Latinx art and curates shows on youth culture, queer nightlife, activism, and more—all while being a Getty Marrow supervisor himself. Read the full profile, written by 2025 Getty Marrow intern Sabrina Mendoza: https://lnkd.in/d2ikGG2M Looking for an internship at the Getty Center or Villa? Apply today: https://lnkd.in/dwT8KinV

    • A person in a black shirt with white floral designs stands in a narrow aisle between rows of stored paintings.
    • A person wearing a black shirt with large white floral patterns stands at a table, pointing toward a colorful abstract artwork.
    • A person wearing black gloves and a black shirt with white floral patterns handles a vibrant poster featuring a crowned figure holding flowers, surrounded by cherubs and red curtains. The text on the poster reads “L.A. QUEEN.”
  • View organization page for Getty

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    After the Palisades Fire caused the Getty Villa Museum to close for six months, school groups finally returned this fall. Students weren't the only ones eager to return. Getty's volunteer docents, some directly impacted by the wildfires, were ready to come back. “I love the sound of the kids’ laughter as they walk down the Outer Peristyle, challenging each other to find all the hidden birds, insects, and lizards in the frescoes,” says docent Stephanie Horn. 🏺 Read more: https://gty.art/4nQwiLC

    • A group of young students stares at the tiled ceiling in the Getty Villa's Outer Peristyle. Text overlay reads, "Field trips return to the Getty Villa Museum. Read full story getty.edu/news"

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