Apple

Jennifer Aniston and Steve Carell’s depiction of a #MeToo crisis is a pricey, glum misfire, while Emily Dickinson’s makeover is a sweet and original surprise.

The show imagines the young Emily Dickinson coming of age in antebellum Massachusetts, like a figure in some emo Brontë fever dream.

Point Out My Future Ex, Spot the Unencouraging Mom Text, and more.

The ultimate consequence of Ive’s designs for Apple has been the slow ransacking of the physical world.

Sue Halpern on antitrust investigations, and why tech giants are now asking the government to regulate them.

The E.U.’s Commissioner for Competition and Senator Warren see Big Tech as a threat to competition, consumer choice, and fairness in the marketplace.

With ambient music and themed pastries, the tech giant cheerily took Big Bird, Oprah, and the journalism business under its tent.

From The New Yorker’s archive, pieces from the early days of tech culture, when going online was a novelty.

The designer’s “less, but better” philosophy has been adopted by Silicon Valley—but as an aesthetic rather than as an ethic.

The tech mogul’s daughter discusses her new memoir, “Small Fry,” and, in Montana, a hiking trail pits nature lover against nature lover.

It’s time for you to meet new people, so schedule an appointment at the Genius Bar. Every Genius is a great listener and will act interested in your problems for twelve to fifteen minutes!

How should we challenge hate-mongering in the age of social media?

Susan Kare designed the suite of icons that made the Macintosh revolutionary—a computer that you could communicate with in pictures.

“Now hold still while I steal your face data.”

Ten years ago, with the launch of the original iPhone, Steve Jobs proclaimed a revolution. So why wasn’t Tuesday’s event more exciting?